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I’ve been mostly just lurking with the occasional drive-by comment the last couple months, it’s funny I just haven’t really been feeling SPN since it came back from winter hiatus, and I’m not sure whether it was just all the other shit I had on my plate lately, or whether every single episode became nothing more to me than one episode closer to THE ( Read more... )

Disclaimer: I've had limited time the last couple weeks and haven't kept up with all the meta out there, but the Sam mystery has taken my brain for a ride. This post has been brewing since the premiere, and fueled by all my flist's awesome thoughts that have kept me thinking. I really wish I had time to do more than incoherent rambling and random ( Read more... )

So, I swore to myself I was done with color meta after that behemoth of a post last Thursday. And then the show had to go and air an episode that cashed in on so much of the season's color interactions...and I just could not resist. :)


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Why is it whenever I take on a project it grows to MASSIVE proportions? *facepalm* For the record, this was originally three different posts, which unfortunately made no sense when separated. So, anyone that gets through this, I question your sanity in addition to mine. This post, btw, is the reason why my episode thoughts have been nonexistent ( Read more... )

So, apparently I’ve been out of school for too long and had the urge to write a paper? Who knows…

This thing got ridiculously massive very quickly, I blame it all on Serge Ladouceur for making me all thinky. I want my brain back, Serge ( Read more... )

For television, the cinematographic work on Supernatural has been quite consistently precise and meaningful over the years. But in the case of such an important episode of the series as 'The End', the lighting and shot composition work (done by Serge Ladouceur with this week’s director, Steve Boyum) held an especially prominent position. While ( Read more... )